A Ribeira, Viseu

Stabilo Pen 88/65 on Crazy Ideas sketchbook, page 70

Wings Neck Light, Massachusetts

Watercolor 9x12" (23x31cm), Arches paper, rough

The Courthouse, Elizabeth, New Jersey

Watercolor 12x18" (30x45cm) on Fabriano paper cp

Lost to Development

 I don’t usually paint the same scene twice, but I just recently painted this in a larger size at someone’s request. This old farmhouse was torn down a few years ago to make room for a trucking depot.

Newlins and Tatamy Roads,

Tatamy, PA

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Raramente pinto a mesma cena mais que uma vez, mas neste caso houve um pedido para um tamanho maior. Esta antiga casa rural foi demolida há poucos anos para dar lugar a uma estação de camiões.

Still Standing II

I heard rumors that this farm may not be around much longer, so just in case, I decided to paint it again from the other side.

Ouvi um boato que esta quinta talvez não esteja aqui por mais muito tempo, então decidi pintar outra aguarela vista do lado oposto.

Arndt and Mitman Roads, Forks Township PA - Watercolor 12x18” (30x45cm) on Fabriano paper, cp

Still Standing (Forks Township, Pennsylvania)

Watercolor 23x31cm, Saunders Waterford paper, rough.

Arndt Road

Rock Church, Easton Pennsylvania

Pencil Drawing on 8X10" Stonehenge paper, hot-pressed

Steward Kessler Farm

Watercolor, 23x31cm, Saunders Waterford paper rough

Algoso Castle, Portugal

Stabilo pen 88/45 on Crazy Ideas sketchbook, page 69

Winter, Forks Township

Watercolor 11x 15" (28x38cm), Strathmore paper, cp

Plaza Mayor, Ciudad Rodrigo (Spain)

Watercolor 23x31cm, Saunders Waterford paper, rough

Correos (The Post Office) - Ciudad Rodrigo, Spain

 Stabilo pen on Crazy Ideas Sketchbook, page 68

I think I got a little carried away with excessive cross-hatching on the shadow side.

Koehler Road

I used my previous pencil drawing as a value study to guide me through the watercolor process. Unclear if it did any good though.

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Eu usei o meu prévio desenho a lápis como um estudo claro-escuro para me guiar na versão de aguarela. Não me é óbvio se isso melhorou alguma coisa.

First Snow, Koehler Road

Watercolor 23x31cm, Saunders paper, rough

Koehler Road

Trying to practice my “broad-stroke” pencil drawing abilities. It is very slow progress. I am reasonably happy with the sketch, but the pencil lines are too thick and therefore merge together. I want the individual lines to be visible. Next time.

A tentar praticar desenho a lápis pelo método de “broad-stroke” ou “traço-largo”. Progresso muito lento. Penso que o desenho não está mau mas o traço ficou largo demais e as linhas fundiram-se todas juntas. Eu prefiro deixar pequenos espaços entre as linhas para que elas sejam individualmente visíveis.

Backroads, Ciudad Rodrigo

Watercolor 23x31cm, Saunders Waterford paper, rough

Castelo S. Jorge da Mina

About 99% of my paintings are done using my own photos, with a small number using specifically licensed photos from someone else. In exceptions such as this one, I find especially appealing scenes from parts of the world I will never be able to visit. In these cases, I do my best to use multiple photo references and change a number of things like the sky, lighting and other details and omissions. This old castle was built by Portuguese explorers centuries ago on the African coast, current-day Ghana.

Watercolor 28x38cm, Strathmore paper, cold-pressed

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A vasta maioria das minhas pinturas são baseadas nas minhas próprias fotos ou fotos aprovadas pelos seus autores. Em exceções como esta, eu encontro cenas que me encantam de lugares longínquos que muito provávelmente nunca poderei visitar. Nestes casos, tento usar referências múltiplas, e deliberadamente mudo muitos detalhes, céu, luz, etc. Este castelo foi construído por exploradores Portugueses há vários séculos na costa Africana, o atual país do Ghana.

Ilidio Rodrigues

Stabilo pen 88/22 on smooth Bristol Board, 9x12"

Cathedral of Santa Maria, Ciudad Rodrigo, Spain

It stood strong against Napoleonic artillery during the Peninsular war in the 18th century although some visible scars remain. In my opinion, these scars only add to the beauty of this old cathedral.

Stabilo 88/22, Crazy Ideas sketchbook, page 67

Christ United Methodist Church, Easton South Side

Watercolor, 9x12" (23x31cm) Arches paper, rough

Sebec Lake, Maine

This was a commission, and it was based on two separate photos, one of the lake and the other of the kayaker. As with every commission, it took more time, planning, and effort than usual.

Watercolor, 9 X 12 inches (23x31cm)