Frutchey Hill Road

Watercolor 23x31cm, W&N paper, rough

The Lehigh Canal, Easton Pennsylvania

Watercolor 23x31cm, W&N paper, rough

Castro Laboreiro, Roman Bridge

                                    Watercolor 23x31cm, W&N paper, rough

Church of Santa Ana - Oliveira do Hospital

Watercolor 23x31cm, W&N paper (old), rough

Bobadela Roman Ruins

Watercolor 23x31cm, W&N paper cp

Sullivan Trail

Watercolor, 23x31cm - W&N (new) paper cp

Late Fall at Jacobsburg

Watercolor, 23x31cm, Winsor & Newton (old) paper, rough

Foggy December

Forks Township, Pennsylvania

Watercolor 20x25cm, Arches paper rough

Fall Tree Study

 

Watercolor 9x12" (23x31cm) 
Winsor & Newton paper, cp

Albert Ponds Preserve

 Watercolor 9x12" (23x31cm) Fabriano paper cp

Beijós, Beira Alta

The church where I was baptized as a baby, and later attended Sunday school, a long time ago.

A igreja onde eu fui baptizado, e fui à catequese, há mesmo muito tempo.

Watercolor, 25x35” W&N paper, cp

Monsanto

Watercolor 9x12" (23x31cm) Arches paper, rough

Mogadouro, Portugal

Watercolor 18x25cm, Arches paper, rough

The Old Windmills of Alburrica

Moinhos de Alburrica, Barreiro

Watercolor 23x31cm, Arches paper, rough

Third Street and Centre Square, Easton Pennsylvania

 Ok, night scenes in watercolor were always a scary thing for me, but I’ve been told we should confront our fears, so here we are. I think I may have learned a little bit with this.

Third Street and Centre Square, Easton Pennsyvania

Watercolor 9x12” (23x31cm), Arches paper, rough

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Cenas noturnas em aguarela sempre inspiraram um pouco de terror em mim, mas sempre ouvi dizer que devemos confrontar os nossos receios, então aqui estamos. Eu penso que talvez eu tenha aprendido um pouco com isto.

The Village of Monsaraz

This was an exercise in rapid painting (about 35 minutes). Results are mixed - main buildings too distorted, conflicting shadows, and maybe too many hard edges. Valuable experience in loose painting though.

Village of Monsaraz, watercolor 30x45cm, Fabriano paper cp.

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Isto foi um exercício em pintura rápida (35 minutos). O resultado foi duvidoso – muita distorção nos edificios principais, sombras inconsistentes, e tavez muitas margens secas. No entanto ganhei alguma experiência no caminho da pintura solta.

Torres do Mondego

Watercolor 18x22cm, Arches paper, rough

Downtown Easton, Pennsylvania

Watercolor 23x31cm, Arches paper, rough

Torre da Lapela

Watercolor 18x25cm, Arches paper, rough

Currelos, Carregal do Sal

Watercolor 30x45cm, Fabriano paper cp