Battery Point Light

 Watercolor 23x31cm, Winsor & Newton paper cp

The Old Windmills of Alburrica

Moinhos de Alburrica, Barreiro

Watercolor 23x31cm, Arches paper, rough

Bass Harbor

Watercolor 10x14" (25x35") on Blick paper cp

Cabo Raso Light

Watercolor 23x31cm, Arches paper, rough

Winter Harbor Light, Maine

Watercolor 25x35cm, Blick paper cp
 

Peniche, Portugal

    Watercolor, 10x14" (25x35cm) Blick paper cp

Montauk Point Light - Eastern Long Island, New York

Watercolor 10x14" (25x35cm), Blick paper, cp

Castillo de San Marcos - St. Augustine, Florida

Watercolor 9x12”, Saunders paper, rough

Many thanks to Maria Grace Grullon for allowing me to use her beautiful photograph as a reference for this painting.

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Um muito obrigado a Maria Grace Grullon por me ter cedido a sua bonita fotografia como referência para esta aguarela.

Block Island Light, Rhode Island

Watercolor 9x12" (23x31cm) Aches paper, rough

Wings Neck Light, Massachusetts

Watercolor 9x12" (23x31cm), Arches paper, rough

Vale Furado Beach

Watercolor 23x31cm, Winsor&Newton paper (old) cp

Curtis Island Light, Maine

Once in a while I use Strathmore paper which, not being very absorbent, presents a few more challenges for me. Nevertheless, I like the change of pace and the extra sparkle I sometimes get.

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De vez em quando eu uso o papel Strathmore que, não sendo tão absorvente, apresenta um pouco mais dificuldade para mim. No entanto eu gosto de variar e gosto do aspeto mais solto e informal que por vezes resulta.

Curtis Island Light, Maine

Watercolor 10x15" (25x38cm)

Strathmore paper cp

Indian Island Light, Maine

Watercolor 9x12" (23x31cm), Winsor & Newton paper, rough

Out of Madeira

Memories from a trip to Madeira Island, Summer of 2000

Watercolor 18x25cm, Stonehenge paper, cp

Thunder Bay

Watercolor 25x35cm, Strathmore paper, cp

I don’t use Strathmore paper very often but I when I do, I usually like the slightly different effects I get. I think it acts a little closer to hot-press paper even though it is technically cold-press.

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Eu não uso papel Strathmore muitas vezes, mas quando uso, gosto dos efeitos um pouco diferentes que obtenho. Mesmo sendo de grão fino (cold-press), os efeitos são um pouco mais parecidos com papel liso (hot-press).

Boston Light

Watercolor, 25x35cm

Winsor & Newton paper, rough

 

Forte Santa Maria, Salvador da Bahia, Brazil

 Watercolor 25x35cm, Winsor & Newton paper rough

Forte de Nossa Senhora de Porto Salvo

Watercolor 23x31cm, Fabriano paper, rough 

Paço De Arcos, Portugal

 

Ipanema

Watercolor 12x18" (30x45cm), Fabriano paper, cold-pressed

 

The Road to Barra (Aveiro)

Watercolor, 23x31cm, Saunders paper, rough